Jeffrey Holmes composes post-spectral, teleological music incorporating elements of mysticism and lyrical expression. His creative inspiration is rooted in primitive myths, transcendent legends, and dramatic elemental landscapes in their primal and violent natural states.

As a traditionalist, he composes music for acoustic orchestral instruments, using standard notational methods; as a formalist, he works within a complex and unique non-octave diatonic, chromatic, and microtonal language; as a transcendentalist, he combines the inherent abstraction of sound with a greater meaning and possibility of interpretation through the use of lyricism and overt expression.

News: “Hagall” was successfully premiered in March by the Talea Ensemble at Roulette in New York City. Talea described the work: “Holmes’ music engages in the idea of landscape and mysticism through his spectral technique. Through his choice of pitch and rhythmic textures, stunning colors emerge”; and called the work the “crowd favorite” of their “Written for Talea: New York” Festival – 2016. Nicholas Isherwood and Mark Robson have been selected to perform “Urðarmána” [Moon of Fate] in December 2016, at the 1st annual HEAR NOW festival in Paris, France.


“Captivating…the haunting and slightly disorienting sound disrupts and engages the open ear.”
– Los Angeles Times

“By far the most interesting and musically arresting work on the concert…music to be really heard and deserving of reflection.”
– Society of Composers, INC

– San Francisco Classical Voice

Upcoming projects: “Úr” will be premiered by the Los Angeles Percussion Quartet on the Los Angeles Philharmonic’s “Green Umbrella” series in Walt Disney Concert Hall, October 2016; “Hagall” will receive its West-Coast premiere by the “Edge” Ensemble conducted by Donald Crockett at the University of Southern California in March 2017; a piano concerto (“Thrall”) for Aron Kallay and Brightwork New Music Ensemble will be premiered in Los Angeles in 2017; a new work (“Ísa”) for Duo Amantis to be premiered in 2017; and a new work for Pierre Bibault will be performed and recorded for Zed Classics at IRCAM (Institut de Recherche et Coordination Acoustique/Musique), Paris, in 2017.